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Why Every Author Needs a Human Editor

  • Writer: One Candle Press
    One Candle Press
  • Jun 24
  • 5 min read

Whether you write fiction, nonfiction, clean fiction, Christian fiction, memoir, or mystery, a real editor helps protect the reader, the story, and the author’s credibility.


A quick visit if you wish to read the key takeaways:

  • Editing improves structure, flow, clarity, pacing, logic, and voice while content can still change.

  • Proofreading is the final polish after the manuscript is complete. It catches spelling, grammar, punctuation, formatting issues, repeated words, and missing words.

Why Authors Miss Their Own Mistakes

Good place for bullets:

  • The brain reads what it expects to see.

  • Authors know what they meant, not always what they actually wrote.

  • Familiarity makes plot holes harder to spot.

  • Missing words, repeated words, and timeline errors become invisible.

  • An editor reads what is on the page, not what is in the author’s head.

What Editors Help Catch

Excellent place for bullets:

  • Weak structure

  • Confusing scenes

  • Plot holes

  • Timeline problems

  • Inconsistent character behavior

  • Repeated words or phrases

  • Misused words

  • Dialogue that sounds unnatural

  • Missing transitions

  • Formatting issues

  • Style-guide inconsistencies

  • Factual errors

AI Use and Author Responsibility

Also a good bullet section:

  • Know whether you used AI-assisted tools or AI-generated material.

  • Check retailer, publisher, and copyright policies before publication.

  • Ask your editor what software or AI tools they use.

  • Put manuscript privacy expectations in the editing contract.

  • Do not upload sensitive or unpublished manuscript material into tools unless you understand the terms.

That section especially needs structure because AI/legal/copyright material can turn into a swamp with footnotes and blood-sucking lawyers.


FOR THE DIEHARD WRITERS:


Don't use an editor to your peril. That's my story and I'm sticking to it. Important points ahead!


  • Proofreading vs. Editing:

    *Editing improves structure, flow, and clarity while content can still change.

    *Proofreading is the final polish, performed only on the completed draft to strictly fix spelling, grammar, punctuation, and formatting


  • Developmental Editing vs. Line editing: 'Developmental editing focuses on the "big picture" of your manuscript, such as plot structure, pacing, and character arcs. In contrast, line editing zooms in on the sentence level to refine your writing style, voice, and flow. (AJC Publishing).'

    What does that mean?

    DEVELOPMENTAL EDITING: It means editing focuses on the BIG PICTURE. This is where you will see a trillion. Okay, a million ... notes written in the bubbles on your manuscript. It's usually stage one - an early draft (but do try to polish it as best as you can. You'll get your MS out faster).

    You may only receive a 40-pg editorial letter, and the rest? It's up to you. Other times, the entirety of the MS is addressed and may instead of a letter, be in the margins.

    LINE EDITING: This is all about word choice, tone, structure, dialogue, flow, and rhythm.


  • WHY AUTHORS MISS THEIR OWN MISTAKES: Yeeks. We all know about this, right? Maybe. Maybe not.

    *The brain reads exactly what you intended.

    Author have brains which autotcorrects incorrectly because they know the ending. The brain flows right over plot holes, timing, and spelling/grammar errors.

    The editor sees these flaws, then they tear the author's work apart. That's their job - not to belittle the author's work, but to improve it, and polish it.


  • WHY CLEAN DOES NOT MEAN SIMPLE:

    Each work may be structurally accurate, but in substance, lacking. That's the author's nightmare. One's writing is simply not good enough.


  • WHY PROFESSIONALISM MATTERS IN INDIE PUBLISHING: "SHELF SPACE." If one's work doesn't match or exceed the professionalism of traditional publishers, the author's book may not find the right shelf. It might land on this aisle: Indie books by authors who forgot to find an editor.


  • HOW EDITING PROTECTS THE READER'S TRUST: Quality control. A filter, if you will. Has the author maintained ethical standards? Is he or she consistent? Is the writing clear? A good editor will polish an author's writing, one which respects the reader's intelligence. Readers aren't dumb, so authors? Don't dumb it down. Don't explain everything. Readers know how to do this.


  • ** Fiction and non-fiction writers: Writers must fact-check everything. Is it verifiable?

  • ** Is it logical? Readable? Understandable?

  • ** Has the author used misused words? Broken sentence structure? Editors help fix this.

  • ** Is it consistent with the author's brand? Professional? Does the author use the Chicago Manual of Style (CMOS, which prefers the Merriam-Webster dictionary)? or AP (The Associated Press, which also uses the Merriam-Webster dictionary). What about the APA (APA Dictionary of Psychology, which uses consistently the Merriam-Webster n.d. which means no date for citation)?

  • What about AI? GASP. If you use it for spelling and grammar, you do well. But beyond that, the Authors Guild states you must report at publishing time IN the manuscript the use of AI. And for heaven's sake, turn off the AI training feature. Using KDP requires the information as well.


    Make certain to have a disclaimer on the use of AI in the work on the copyright page. AI includes Grammarly, ProWritingAid, Autocrit, PerfectIt, EditGPT, ChatGPT, Claude, Copilot in your Word docs, Hemingway Editor Plus, Sudowrite, Novelcrafter, Google Docs 

  • From the Authors Guild: AI-generated text is not copyrightable, because it is not original human authorship. As such, AI-generated text that is included in a work submitted for copyright registration must be disclosed and disclaimed in the copyright application. What that means is that, assuming there is sufficient human authorship for the work as a whole to be copyrightable, the AI-generated text will not be protected and will be filtered out before any infringement analysis is undertaken. Knowingly failing to disclose AI-generated text may be deemed fraud on the Copyright Office and invalidate the registration. If your publisher is registering the book on your behalf, it needs to know if any elements are AI generated so that it can complete the application correctly.

  • Make certain your editor is not using these programs. Make certain it's a contractural agreement. (Be aware that AI-assisted is not the same and is copyrightable). Rules Change. Keep up-to-date on the Authors Guild).

  •  Any audiobook produced by a non-human voice on Audible is generated using Artificial Intelligence (AI) or synthetic speech technology. Audible categorizes these computer-generated audiobooks under the "Virtual Voice" label


Re-read the book before publishing. Use a robotic or human-style voice and follow along with your manuscript. This small difference catches interesting blips such as double words. Repeated paragraphs. Plot holes.

'tis nothing but a flesh wound
'tis nothing but a flesh wound

The Point

Every book needs editing.

Not because authors are bad writers. Not because clean fiction is simple. Not because indie books are second-class citizens. A book needs editing because writing is a craft, and craft improves under trained eyes.

Every bit of angst over each word, sentence, paragraph, scene, and chapter helps build the muscles of the writer.

Now that you are properly encouraged and only slightly depressed, go write the book.

Then hire the editor.





 
 
 

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